Third episode curated with Marion Auburtin & Melissa Steckbauer
Opening
August 2nd, 16:00 - 22:00H
Open Hours
Saturday and Sunday 14:00 - 19:00H
and by appointment*
Michael Barthel
Enrico Bertelli
Barbara Breitenfellner
Mirja Busch
Leif Elggren
Agnès Geoffray
Marthe Krüger
Benjamin L. Aman
Daniel LöwenbrückEnrico Bertelli
Barbara Breitenfellner
Mirja Busch
Leif Elggren
Agnès Geoffray
Marthe Krüger
Benjamin L. Aman
Jean-François Robardet
Paulstr. 34
Berlin, Germany, 10557
This presentation of Sleep Disorders is the third in a series of projects initiated in
2010 by artists Marion Auburtin and Benjamin Aman; they have been invited by
Melissa Steckbauer at The Wand to co-curate a new show, culling work and
artists from their program mixed with a short selection of Steckbauer's
choosing. Together they will
address themes shifting between conditions of inner quietude, restlessness, and
inexplicable upset. Materials are
given special attention, will be expansively reconfigured, and gently pushed
into borderline positions within the rooms of the project space. Below is an excerpt from the “Sleep
Disorders” catalog held at Centres d'Art Contemporain Dominique Lang & Nei
Liicht, 2011.
Whether one is lost in
dreamland or crushed down beneath the yoke, there comes a moment when sleep
eases the conscious from the burden of life, letting it drift away. Everybody
seems to take for granted the many references made to the night or to the
darkness in visual or poetic arts. Be it as a bottomless abyss or as a real
hamper to action - obscurity comes out as an ideal state to reveal the most
indistinctable shapes or forces. Hence Sleep Disorders must not be perceived as
an exhibition purely centered on dreams or night itself. Instead of putting the
accent on the possible "obvious" side of the works presented, we wish
to give a push to a still side, to a sort of shady environement gradually
brightening up into the mere core of action.
Sleep Disorders shows pieces
of dormant instability, pieces standing right on the very thin edge of the
wedge. Some of them drag you through endless contradictions, others take you
through the meanders of obsessions. Some just make it thanks to the
"benefit of doubt". And this despite the fact that all of them are put
together in the depth of the same state of uncertainty, when one longs for a
recovering rest endlessly postponed to the day after. We cannot expect the
artists to trick us because they are not tricksters, nor to reassure us because
their aim is not to reassure.
– Benjamin L. Aman
+0049 (0)17698202241
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